
“The actor who brought raw, naturalistic power to the screen and changed acting forever.”
His electrifying 1947 Broadway performance as Stanley Kowalski in "A Streetcar Named Desire," reprised on film in 1951, made him the leading exponent of Method acting. It announced a raw, naturalistic style that transformed American screen acting.

Born in Omaha in 1924, Brando moved to New York in 1943 after being expelled from military school. He studied the Method under Stella Adler, developing the intense naturalism that became his hallmark.

His Stanley Kowalski in "A Streetcar Named Desire" and his Oscar-winning role in "On the Waterfront" overturned the polished acting of the studio era. His mumbling, instinctive style influenced generations.
After a fallow stretch, Brando triumphed as Don Vito Corleone in "The Godfather," winning a second Oscar he refused on Native American rights grounds. Roles in "Last Tango in Paris" and "Apocalypse Now" confirmed his enduring power.
Slumped in the back of a car, Terry Malloy tells his brother he could have been a contender, and Brando makes a small man's wasted life ache with such truth that screen acting was never the same.
Portrait: Paramount Pictures · Public domain · via Wikimedia Commons